I work as a painter, draughtsman, engineer, scientist, theorist, sculptor and architect, and I keep notebooks that join art and science across anatomy, astronomy, botany, cartography and painting.
I treat art and science as one practice of looking, and my paintings and notebooks both come out of it.
High Renaissance Italy and France: workshops, ducal courts and city councils in Florence, Milan, Venice and Rome, where art, engineering and humanist learning shared the same patrons.
The shape of this portfolio — taller means stronger evidence in that mode.